Nasikabhushani

Hear it from musicians

Signature phrases for Nasikabhushani, recorded by musicians in the community and curated by Jason Zac. Every phrase carries the artist’s name and link. Add your own voice to this raga.

The scale and its Western intervals

Reading up from Sa, Nasikabhushani is built from a augmented second, a major third, a augmented fourth, a perfect fifth, a major sixth, a minor seventh. In Carnatic terms that is S R3 G3 M2 P D2 N2; in Hindustani sargam, S g G M' P D n.

How Nasikabhushani harmonizes

Stack thirds on each note of Nasikabhushani and these chords appear. Home is the chord on Sa; the chord on Pa is the dominant that pulls back to it.

• I G majorhome
• V· Bb/D major, first inversiondominant
• VII· A#m/F minor, second inversiondominant
• ii° A#dim diminishedpredominant
• iv° C#dim diminishedpredominant
• vi Em minorcolour
• iii° Bdim diminishedcolour

Learn the method in how to harmonize a raga.

Music to learn in Nasikabhushani

Nasikabhushani is met most often as a parent scale for study and improvisation. Much of its living music flows through janya ragas; a good next step is to sing its scale slowly over a tanpura and explore its phrases in the 3D sphere.

Notated to play along

Each opens in Stage mode on a real staff, with the sung syllables under the notes. Loop it, change Sa, and play or sing along.

• Maravairi Ramani · Tyagaraja (attributed) · Rupaka tala