Nathaniel School of MusicThe Melakarta Sphere

Janya Ragas Explained: The Children of the Melakarta

6 min read · By Jason Zac · Nathaniel School of Music

The 72 melakartas are the parents. They are complete, symmetrical, seven-note scales. But walk into a concert and most of what you hear are the janya ragas — the children. Mohanam, Hamsadhwani, Kambhoji, Abhogi, Sri: these are janyas, and they carry the living repertoire.

How a child is born

A janya is derived from its parent in one of three ways:

  • By dropping notes (varjya). Leave out one or two swaras and a seven-note parent becomes a five- or six-note child. Harikambhoji minus two notes is Mohanam, the beloved pentatonic.
  • By bending the path (vakra). Instead of a straight climb, the raga zigzags — up a little, back, then on. Sri raga, a child of Kharaharapriya, circles through its notes before it lands.
  • By taking different roads up and down. Bilahari climbs like a simple pentatonic and descends with all seven notes, a different shape each way.

The three archetypes, drawn

Here are the three ways a child differs from its parent, as living paths. Mohanam simply drops two notes. Bilahari climbs light and falls full. Sri keeps every note of its parent and is different only because its descent turns against itself — the vakra turn, ringed in red. Press play on each and watch the light walk the road.

Mohanamमोहनम्

5 up · 5 downaudava-audavaglide

The beloved pentatonic; joy with no shadow.

Drops M1 and N2 from Harikambhoji. Hindustani cousin: Bhupali (Bhoop).

arohana ↗avarohana ↘SR2G3PD2S'S'D2PG3R2S

Bilahariबिलहरि

5 up · 7 downaudava-sampurnaglide

Climbs like Mohanam, descends with all seven; morning brightness.

Keeps all seven notes of Dheerasankarabharanam; only the path differs.

arohana ↗avarohana ↘SR2G3PD2S'S'N3D2PM1G3R2S

Sriश्री

5 up · 7 downaudava-sampurnavakra turnglide

A vakra descent that circles before it lands; ancient and grave.

Keeps all seven notes of Kharaharapriya; only the path differs. Hindustani cousin: no equivalent; Hindustani Shree is a different raga.

arohana ↗avarohana ↘SR2M1PN2S'S'N2PD2N2PM1R2G2R2S
vakra: the line turns against its own direction

Counting the notes

Janyas are classified by how many notes they use: five notes is audava, six is shadava, seven is sampurna. A raga can be audava going up and sampurna coming down, which is written audava-sampurna. This counting, plus whether the path is straight or vakra, is most of what separates one janya from another.

Why two ragas can share every note

Here is the beautiful problem. Bilahari and Sankarabharanam use the exact same seven notes. So do Sri and its cousins. If the notes are identical, what makes them different ragas? The path— the order the notes are touched, the phrases the raga loves, the notes it leans on and the ones it hurries past. A raga is not a scale. A raga is a scale with a personality.

Each of these has its own guide, with its arohanam and avarohanam, its Western and Hindustani names, and its songs: Mohanam, Hamsadhwani, Kambhoji, Hindolam, Sri, Bilahari.

The Melakarta Sphere shows every parent with its children orbiting as moons, and its Listen mode can even name a janya from the shape of the phrase you sing, hearing the vakra turn and not just the notes. To go deeper on the parents themselves, start with the visual map of all 72.

Common questions

What is a janya raga?

A janya raga is a raga derived from a melakarta (parent) scale by using fewer than seven notes, by taking a crooked or zigzag path, or both. Most concert ragas are janyas.

What is the difference between a melakarta and a janya raga?

A melakarta is a parent scale with all seven notes in straight ascent and descent. A janya is its child, which may omit notes, follow a vakra (zigzag) path, or use different notes going up and down.