Melakarta 48 · Vasu chakra · M2 · vivadi
Divyamani
दिव्यमणि
Divyamani is the 48th melakarta raga. Its scale is S R1 G2 M2 P D3 N3.
Hear it from musicians
Signature phrases for Divyamani, recorded by musicians in the community and curated by Jason Zac. Every phrase carries the artist’s name and link. Add your own voice to this raga.
The scale and its Western intervals
Reading up from Sa, Divyamani is built from a minor second, a minor third, a augmented fourth, a perfect fifth, a augmented sixth, a major seventh. In Carnatic terms that is S R1 G2 M2 P D3 N3; in Hindustani sargam, S r g M' P n N.
| Degree | Swara | Interval |
|---|---|---|
| 1 | S | unison (1) |
| 2 | R1 | minor second (m2) |
| 3 | G2 | minor third (m3) |
| 4 | M2 | augmented fourth (A4) |
| 5 | P | perfect fifth (P5) |
| 6 | D3 | augmented sixth (A6) |
| 7 | N3 | major seventh (M7) |
How Divyamani harmonizes
Stack thirds on each note of Divyamani and these chords appear. Home is the chord on Sa; the chord on Pa is the dominant that pulls back to it.
- i Gm minorhome
- VIIsus2 F#sus2 suspended seconddominant
- V♭5 D(b5) major flat fivedominant
- II· C#/Ab major, second inversionpredominant
- IV♭5 C#(b5) major flat fivepredominant
- III+ Bbaug augmentedcolour
- VI· E#(cluster) clustercolour
Learn the method in how to harmonize a raga.
Music to learn in Divyamani
Divyamani is met most often as a parent scale for study and improvisation. Much of its living music flows through janya ragas; a good next step is to sing its scale slowly over a tanpura and explore its phrases in the 3D sphere.
Notated to play along
Each opens in Stage mode on a real staff, with the sung syllables under the notes. Loop it, change Sa, and play or sing along.
- Divyamani Bandhe · Melaragamalika · Maha Vaidyanatha Iyer · Adi tala
Questions about Divyamani
What is the Divyamani raga?
Divyamani is melakarta number 48 in the 72-raga system of Carnatic music. Its scale is S R1 G2 M2 P D3 N3.
What are the janya ragas of Divyamani?
Divyamani is heard mainly as a parent scale; much Carnatic repertoire lives in the janya ragas of other melakartas.