Shadvidamargini

Hear it from musicians

Signature phrases for Shadvidamargini, recorded by musicians in the community and curated by Jason Zac. Every phrase carries the artist’s name and link. Add your own voice to this raga.

The scale and its Western intervals

Reading up from Sa, Shadvidamargini is built from a minor second, a minor third, a augmented fourth, a perfect fifth, a major sixth, a minor seventh. In Carnatic terms that is S R1 G2 M2 P D2 N2; in Hindustani sargam, S r g M' P D n.

How Shadvidamargini harmonizes

Stack thirds on each note of Shadvidamargini and these chords appear. Home is the chord on Sa; the chord on Pa is the dominant that pulls back to it.

• i Gm minorhome
• VII· Db/F major, first inversiondominant
• v° Ddim diminisheddominant
• II· C#m/Ab minor, second inversionpredominant
• iv° C#dim diminishedpredominant
• III Bb majorcolour
• vi° Edim diminishedcolour

Learn the method in how to harmonize a raga.

Janya ragas of Shadvidamargini

These child ragas are born from Shadvidamargini by dropping notes or bending the path: Tivravahini. Each card shows the three things that make a janya itself: how many notes it keeps, which way its road runs (any vakra turn is ringed in red), and how it glides between swaras. See how janya ragas work.

Music to learn in Shadvidamargini

Shadvidamargini is met most often as a parent scale for study and improvisation. Much of its living music flows through janya ragas; a good next step is to sing its scale slowly over a tanpura and explore its phrases in the 3D sphere.

Notated to play along

Each opens in Stage mode on a real staff, with the sung syllables under the notes. Loop it, change Sa, and play or sing along.

• Antaranga Bhakti · Koteeswara Iyer · Adi tala
• Sadaya Shadvidhamargini · Melaragamalika · Maha Vaidyanatha Iyer · Adi tala