Naganandini

Hear it from musicians

Signature phrases for Naganandini, recorded by musicians in the community and curated by Jason Zac. Every phrase carries the artist’s name and link. Add your own voice to this raga.

The scale and its Western intervals

Reading up from Sa, Naganandini is built from a major second, a major third, a perfect fourth, a perfect fifth, a augmented sixth, a major seventh. In Carnatic terms that is S R2 G3 M1 P D3 N3; in Hindustani sargam, S R G m P n N.

How Naganandini harmonizes

Stack thirds on each note of Naganandini and these chords appear. Home is the chord on Sa; the chord on Pa is the dominant that pulls back to it.

• I G majorhome
• V D majordominant
• vii° F#dim diminisheddominant
• II· F/A major, first inversionpredominant
• IVsus4 Csus4 suspended fourthpredominant
• iii Bm minorcolour
• VIsus2♭5 Fsus2(b5) suspended second flat fivecolour

Learn the method in how to harmonize a raga.

Janya ragas of Naganandini

These child ragas are born from Naganandini by dropping notes or bending the path: Gambhiravani. Each card shows the three things that make a janya itself: how many notes it keeps, which way its road runs (any vakra turn is ringed in red), and how it glides between swaras. See how janya ragas work.

Music to learn in Naganandini

Naganandini is met most often as a parent scale for study and improvisation. Much of its living music flows through janya ragas; a good next step is to sing its scale slowly over a tanpura and explore its phrases in the 3D sphere.

Notated to play along

Each opens in Stage mode on a real staff, with the sung syllables under the notes. Loop it, change Sa, and play or sing along.

• Jnanaganam Kritavatam · Melaragamalika · Maha Vaidyanatha Iyer · Adi tala
• Kanavu Kanbay Thozha · Composer unknown · Adi tala